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Tom Piper
Set and Costume
Designer
Associate
Designer for the Royal Shakespeare Company, Tom Piper's credits
include: The Tempest, Henry
VI Parts 1, 2 & 3, Richard
III, Romeo & Juliet,
A Midsummer
Night’s Dream, A Month
in the Country, Troilus and
Cressida, Measure for Measure,
Bartholomew
Fair, The Broken Heart,
Spring Awakening,
A Patriot for Me,
Much Ado About
Nothing, The Spanish Tragedy,
Hamlet, King Lear and Twelfth Night. He designed
many
productions for the 2004 New Writing Season and is currently working on
a revised version of Henry VI Parts
1, 2 & 3 and Richard III
for the new Courtyard Theatre in Stratford as
part of their Complete Works
season.
Tom was recently nominated for the Best Design
Award in the TMA Theatre Awards
2005 for his work on Insignificance at
the Sheffield Lyceum
Rafael Amargo
Choreographer and
Musical
Staging
He’s
a movie star in Europe, a regular face on glossy magazine covers
throughout the
continent and one of the best-known flamenco dancers and
choreographers,
critically acclaimed for bringing flamenco into the 21st century.
His
multi-award-winning, multimedia flamenco theatre production, “POETA EN
NUEVA
YORK,” based on poetry by Federico García Lorca, had its New
York premiere at
New York City Center.
Rafael
Amargo founded his Flamenco Company ten years ago, and since then, he
has
worked in the most important Theaters, Festivals and Shows Worldwide.
He has
also received 4 Max Awards (Highest distinction of the Spanish Scenic
Arts):
two awards as Best Dancer and Best Dancing Show for “AMARGO”, one Best
Dancer
Award for “EL AMOR BRUJO”, and one Best Dancer Award for “POETA EN
NUEVA YORK,
a show which has also been awarded as Best Show of the Decade by the
readers of
the most important newspaper in Spain EL PAIS. He has also received the
POSITANO LEONIDE MASSINE AWARD (Highest Dance distinction in Italy),
granted to
the most important world dancers.
Terry King
Stunt and Fight
Choreography
Fight master Terry King has a
distinguished career
choreographing swordplay, stunts and whips in England with The Royal
Shakespeare Company, the Royal National Theater, The Royal Court, as
well as
numerous musicals and operas. Most
recently, Terry choreographed the fight sequences for the hit musical Billy Elliot, Martin Guerre, Lord
of the
Ring, and Porgy and Bess. His
clean, crisp style partnered with his
clear and patient teachingmanner result in dramatic visuals on stage
for
audiences to feel the clash of swords, the pounding of fists, and the
crack of
whips.
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